The story of the Winchester House began in September 1839 with the birth of a baby girl to Leonard and Sarah Pardee of New Haven, Connecticut.
The baby's name was also Sarah and as she reached maturity, she became the belle of the city.
She was well-received at all social events, thanks to her musical skills, her fluency in various foreign languages and her sparkling charm.
Her beauty was also well-known by the young men about town, despite her diminutive size. Although she was petite and stood only four feet, ten inches, she made up for this in personality and loveliness.
At the same time that Sarah was growing up, a young man was also maturing in another prominent New Haven family. The young man's name was William Wirt Winchester and he was the son of Oliver Winchester, a shirt manufacturer and businessman. In 1857, he took over the assets of a firm which made the Volcanic Repeater, a rifle that used a lever mechanism to load bullets into the breech.
Obviously, this type of gun was a vast improvement over the muzzle-loading rifles of recent times, but Winchester still saw room for advance. In 1860, the company developed the Henry Rifle, which had a tubular magazine located under the barrel. Because it was easy to reload and could fire rapidly, the Henry was said to average one shot every three seconds. It became the first true repeating rifle and a favorite among the Northern troops at the outbreak of the Civil War.
Money began to pour in and Oliver Winchester soon amassed a large fortune from government contracts and private sales. He re-organized the company and changed the name to the Winchester Repeating Arms Company. The family prospered and on September 30, 1862, at the height of the Civil War, William Wirt Winchester and Sarah Pardee were married in an elaborate ceremony in New Haven.
Four years later, on July 15, 1866, Sarah gave birth to a daughter named Annie Pardee Winchester. Just a short time later, the first disaster struck for Sarah, as her daughter contracted an illness known as "marasmus", a children's disease in which the body wastes away. The infant died on July 24. Sarah was so shattered by this event that she withdrew into herself and teetered on the edge of madness for some time. In the end, it would be nearly a decade before she returned to her normal self but she and William would never have a another child.
Not long after Sarah returned to her family and home, another tragedy struck. William, now heir to the Winchester empire, was struck down with pulmonary tuberculosis. He died on March 7, 1881. As a result of his death, Sarah inherited over $20 million dollars, an incredible sum, especially in those days. She also received 48.9 percent of the Winchester Repeating Arms Company and an income of about $1000 per day, which was not taxable until 1913.
But her new-found wealth could do nothing to ease her pain. Sarah grieved deeply, not only for her husband, but also for her lost child. A short time later, a friend suggested that Sarah might speak to a Spiritualist medium about her loss. "Your husband is here," the medium told her and then went on to provide a description of William Winchester. "He says for me to tell you that there is a curse on your family, which took the life of he and your child. It will soon take you too. It is a curse that has resulted from the terrible weapon created by the Winchester family. Thousands of persons have died because of it and their spirits are now seeking vengeance."
Sarah was then told that she must sell her property in New Haven and head towards the setting sun. She would be guided by her husband and when she found her new home in the west, she would recognize it. "You must start a new life," said the medium, "and build a home for yourself and for the spirits who have fallen from this terrible weapon too. You can never stop building the house. If you continue building, you will live. Stop and you will die."
Shortly after the seance, Sarah sold her home in New Haven and with a vast fortune at her disposal, moved west to California. She believed that she was guided by the hand of her dead husband and she did not stop traveling until she reached the Santa Clara Valley in 1884. Here, she found a six room home under construction which belonged to a Dr. Caldwell. She entered into negotiations with him and soon convinced him to sell her the house and the 162 acres which it rested on. She tossed away any previous plans for the house and started building whatever she chose to. She had her pick of local workers and craftsmen and for the next 36 years, they built and rebuilt, altered and changed and constructed and demolished one section of the house after another.
She kept 22 carpenters at work, year around, 24 hours each day. The sounds of hammers and saws sounded throughout the day and night.
As the house grew to include 26 rooms, railroad cars were switched onto a nearby line to bring building materials and imported furnishings to the house. The house was rapidly growing and expanding and while Sarah claimed to have no master plan for the structure, she met each morning with her foreman and they would go over the her hand-sketched plans for the day's work. The plans were often chaotic but showed a real flair for building. Sometimes though, they would not work out the right way, but Sarah always had a quick solution. If this happened, they would just build another room around an existing one.
As the days, weeks and months passed, the house continued to grow. Rooms were added to rooms and then turned into entire wings, doors were joined to windows, levels turned into towers and peaks and the place eventually grew to a height of seven stories. Inside of the house, three elevators were installed as were 47 fireplaces.
There were countless staircases which led nowhere; a blind chimney that stops short of the ceiling; closets that opened to blank walls; trap doors; double-back hallways; skylights that were located one above another; doors that opened to steep drops to the lawn below; and dozens of other oddities. Even all of the stair posts were installed upside-down and many of the bathrooms had glass doors on them.
It was also obvious that Sarah was intrigued by the number 13. Nearly all of the windows contained 13 panes of glass; the walls had 13 panels; the greenhouse had 13 cupolas; many of the wooden floors contained 13 sections; some of the rooms had 13 windows and every staircase but one had 13 steps. This exception is unique in its own right.... it is a winding staircase with 42 steps, which would normally be enough to take a climber up three stories. In this case, however, the steps only rise nine feet because each step is only two inches high.
While all of this seems like madness to us, it all made sense to Sarah. In this way, she could control the spirits who came to the house for evil purposes, or who were outlaws or vengeful people in their past life. These bad men, killed by Winchester rifles, could wreak havoc on Sarah's life. The house had been designed into a maze to confuse and discourage the bad spirits.
The house continued to grow and by 1906, it had reached a towering seven stories tall. Sarah continued her occupancy, and expansion, of the house, living in melancholy solitude with no one other than her servants, the workmen and, of course, the spirits. It was said that on sleepless nights, when she was not communing with the spirit world about the designs for the house, Sarah would play her grand piano into the early hours of the morning. According to legend, the piano would be admired by passers-by on the street outside, despite the fact that two of the keys were badly out of tune.
The most tragic event occurred within the house when the great San Francisco Earthquake of 1906 struck. When it was all over, portions of the Winchester Mansion were nearly in ruins. The top three floors of the house had collapsed into the gardens and would never be rebuilt. In addition, the fireplace that was located in the Daisy Room (where Mrs. Winchester was sleeping on the night of the earthquake) collapsed, shifting the room and trapping Sarah inside. She became convinced that the earthquake had been a sign from the spirits who were furious that she had nearly completed the house. In order to insure that the house would never be finished, she decided to board up the front 30 rooms of the mansion so that the construction would not be complete - and also so that the spirits who fell when portion of the house collapsed would be trapped inside forever.
For the next several months, the workmen toiled to repair the damage done by the earthquake, although actually the mammoth structure had fared far better than most of the buildings in the area. Only a few of the rooms had been badly harmed, although it had lost the highest floors and several cupolas and towers had toppled over. The expansion on the house began once more. The number of bedrooms increased from 15 to 20 and then to 25. Chimneys were installed all over the place, although strangely, they served no purpose. Some believe that perhaps they were added because the old stories say that ghosts like to appear and disappear through them. On a related note, it has also been documented that only 2 mirrors were installed in the house.... Sarah believed that ghosts were afraid of their own reflection.
On September 4, 1922, after a conference session with the spirits in the seance room, Sarah went to her bedroom for the night. At some point in the early morning hours, she died in her sleep at the age of 83. She left all of her possessions to her niece, Frances Marriot, who had been handling most of Sarah's business affairs for some time. Little did anyone know, but by this time, Sarah's large bank account had dwindled considerably. Rumor had it that somewhere in the house was hidden a safe containing a fortune in jewelry and a solid-gold dinner service with which Sarah had entertained her ghostly guests. Her relatives forced open a number of safes but found only old fishlines, socks, newspaper clippings about her daughter's and her husband's deaths, a lock of baby hair, and a suit of woolen underwear. No solid gold dinner service was ever discovered.
The furnishings, personal belongings and surplus construction and decorative materials were removed from the house and the structure itself was sold to a group of investors who planned to use it as a tourist attraction. One of the first to see the place when it opened to the public was Robert L. Ripley, who featured the house in his popular column, "Believe it or Not." The house was initially advertised as being 148 rooms, but so confusing was the floor plan that every time a room count was taken, a different total came up. The place was so puzzling that it was said that the workmen took more than six weeks just to get the furniture out of it. The moving men became so lost because it was a "labyrinth", they told the magazine, American Weekly, in 1928. It was a house "where downstairs leads neither to the cellar nor upstairs to the roof." The rooms of the house were counted over and over again and five years later, it was estimated that 160 rooms existed..... although no one is really sure if even that is correct.
Today, the house has been declared a California Historical Landmark and is registered with the National Park Service as "a large, odd dwelling with an unknown number of rooms."
Most would say that such a place must still harbor at least a few of the ghosts who came to reside there at the invitation of Sarah Winchester. The question is though, do they really haunt the place? Some would say that perhaps no ghosts ever walked there at all.... that the Winchester mansion is nothing more than the product of an eccentric womanâ€™s mind and too much wealth being allowed into the wrong hands.
There is no question that we can regard the place as one of the world's "largest haunted houses", based on nothing more than the legend of the place alone. Is this a case where we need to draw the line between what is a real haunted spot ..and what is a really great story?
There have been a number of strange events reported at the Winchester House for many years and they continue to be reported today. Dozens of psychics have visited the house over the years and most have come away convinced, or claim to be convinced, that spirits still wander the place. In addition to the ghost of Sarah Winchester, there have also been many other sightings throughout the years.
In the years that the house has been open to the public, employees and visitors alike have had unusual encounters here. There have been footsteps; banging doors; mysterious voices; windows that bang so hard they shatter; cold spots; strange moving lights; doorknobs that turn by themselves.... and don't forget the scores of psychics who have their own claims of phenomena to report.
So based on this, the upcoming horror movie "Winchester: The House That Ghosts Built" was shot partly in the real Winchester House in San Jose and stars Academy Award-winner Helen Mirren as Sarah Winchester, widow of millionaire gun manufacturer William Winchester.
Australian siblings Michael and Peter Spierig directed the film. The team have only a few other directing credits under their belt, notably the soon-to-be released Jigsaw (yet another sequel in the never-ending Saw series) and 2003â€™s Undead, a weird zombie comedy that got little attention at the box office, but has since enjoyed minor cult success.
Watch the trailer now: